• 2023
  • 2022
  • Weight Of The World 2021
  • Living Studios Affiliated Artists
  • Welcome
  • Weight Of The World 2020
  • Albatross ARTFAIR
  • 2020
  • Artists 2019-
  • Artists May 2016-
  • Artists 2015- 2016
  • Contact
  • Albatross Shop
  • Michael Reinsch
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Albatross

Around Michael's Neck
Portland, Oregon
503-713-7106
A Michael Reinsch Performance.

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Albatross

  • 2023
  • 2022
  • Weight Of The World 2021
  • Living Studios Affiliated Artists
  • Welcome
  • Weight Of The World 2020
  • Albatross ARTFAIR
  • 2020
  • Artists 2019-
  • Artists May 2016-
  • Artists 2015- 2016
  • Contact
  • Albatross Shop
  • Michael Reinsch

Emily Ginsburg

WAYS TO DISAPPEAR IN PLAIN SITE

2019, 

28 paintings and rubber stamp on paper, grommets, metal ring, ball chain


In a cultural moment where we are comprehensively tracked and traced, this piece is playing with the poetics and absurdities of camouflage, and the complexities within visibility and invisibility.  Like a decorator's ring of samples, this project is a collection of fabric swatch like paintings which riff on patterns derived from the clothing, workplace, natural/built environment, digital codes and social media  platforms from the daily life of Michael Reinsch.  As a performance, the piece operates as a non-linear score of visual cues with space on the back of  each painting for Michael to trace and record dates, locations and reflections on where/how a particular swatch resonates with what is in his field of vision over a one month period.  

Emily Ginsburg

WAYS TO DISAPPEAR IN PLAIN SITE

2019, 

28 paintings and rubber stamp on paper, grommets, metal ring, ball chain


In a cultural moment where we are comprehensively tracked and traced, this piece is playing with the poetics and absurdities of camouflage, and the complexities within visibility and invisibility.  Like a decorator's ring of samples, this project is a collection of fabric swatch like paintings which riff on patterns derived from the clothing, workplace, natural/built environment, digital codes and social media  platforms from the daily life of Michael Reinsch.  As a performance, the piece operates as a non-linear score of visual cues with space on the back of  each painting for Michael to trace and record dates, locations and reflections on where/how a particular swatch resonates with what is in his field of vision over a one month period.  

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